Thursday, March 19, 2009

Mad Max


I finally saw the beginning of my beloved Mad Max franchise. I have to say, I'm a little disappointed. All the superior elements of the franchise are there: a brooding Mel Gibson, spectacular CGI-less car stunts, crazy (CRAZY) villains, and notable cinematography and style. The problem is that all these elements aren't perfected until The Road Warrior. Mel Gibson, despite of all his charisma, shows his lack of experience. The stunts are still there, but they're certainly less necessary. When the cars and/or motorcycles aren't driving across the endless asphalt, there isn't a whole lot to love in Mad Max. There are some very memorable shots in the movie, but these shots only punctuate the droll interlude between them. Thank goodness for Hugh Keays-Byrne's work as Toecutter, the psychotic leader or a motorcycle gang out for revenge after their even crazier former compadre is killed in the film's opening car chase. Toecutter is the snarling, edgy precursor to The Might Wez and Lord Humungous (The Road Warrior) and Master Blaster (MM: Beyond Thunderdome) of subsequent films. While he feels a bit out of place in Mad Max, it's clear writer/director George Miller is honing his world and style here. It's a good film with great moments, but it pales in comparison to its sequels. A great finish to a lackluster beginning.

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